För den som läser engelska kan det vara intressant att läsa profilen över skaparen av serien 24 i New Yorker. Denna Bush administrationens favorit serie lever ju på antagandet att tortyr fungerar. Miljoner amerikaner fick under de 5 första säsongerna ta del av mer än 60 tortyrscener som visade hur tortyr fungerar.

Det var också 24 som chefen för den amerikanska militärakademin klagade på och menade att kadetter tar intryck av det hela tiden upprepade mantrat att tortyr fungera.

Howard Gordon, who is the series’ “show runner,” or lead writer, told me that he concocts many of the torture scenes himself. “Honest to God, I’d call them improvisations in sadism,” he said. Several copies of the C.I.A.’s 1963 KUBARK interrogation manual can be found at the “24” offices, but Gordon said that, “for the most part, our imaginations are the source. Sometimes these ideas are inspired by a scene’s location or come from props—what’s on the set.” He explained that much of the horror is conjured by the viewer. “To see a scalpel and see it move below the frame of the screen is a lot scarier than watching the whole thing. When you get a camera moving fast, and someone screaming, it really works.”

In recent years, he said, “we’ve resorted a lot to a pharmacological sort of thing.” A character named Burke—a federal employee of the C.T.U. who carries a briefcase filled with elephantine hypodermic needles—has proved indispensable. “He’ll inject chemicals that cause horrible pain that can knock down your defenses—a sort of sodium pentothal plus,” Gordon said. “When we’re stuck, we say, ‘Call Burke!’ ” He added, “The truth is, there’s a certain amount of fatigue. It’s getting hard not to repeat the same torture techniques over and over.”

Letter from Hollywood : Whatever It Takes: Reporting & Essays: The New Yorker

The office desk of Joel Surnow—the co-creator and executive producer of “24,” the popular counterterrorism drama on Fox—faces a wall dominated by an American flag in a glass case. A small label reveals that the flag once flew over Baghdad, after the American invasion of Iraq, in 2003. A few years ago, Surnow received it as a gift from an Army regiment stationed in Iraq; the soldiers had shared a collection of “24” DVDs, he told me, until it was destroyed by an enemy bomb. “The military loves our show,” he said recently. Surnow is fifty-two, and has the gangly, coiled energy of an athlete; his hair is close-cropped, and he has a “soul patch”—a smidgen of beard beneath his lower lip. When he was young, he worked as a carpet salesman with his father. The trick to selling anything, he learned, is to carry yourself with confidence and get the customer to like you within the first five minutes. He’s got it down. “People in the Administration love the series, too,” he said. “It’s a patriotic show. They should love it.”

Powered by ScribeFire.